Explanation:

Statement 1: While Mughal painting was developing under Akbar, in the second half of the 16th century, the art form was evolving independently in the Deccan sultanates.The miniature painting style, which flourished initially in the Bahmani court of Bahmani Sultanate and later in the courts of Ahmadnagar, Bijapur, Bidar Berrar and Golkonda is popularly known as the Deccan school of Painting.The style developed under the patronage of Deccan sultanates (namely, Bijapur, Golkonda,Ahmadnagar, Bidar, and Berar ) and lasted until the extinct of the Qutb Shahi dynasty in 1687 AD.
Statement 2: The Deccani style, vasara, tended to be an intermixture of the northern and the southern, with early examples at Vatapi, Aihole, and Pattadakal and, later, at Halebid, Belur, and Somnathpur in the vicinity of Mysore.It has corridors on three sides. It is unique in that it has no open courtyard, the whole structure being covered. Instead of minarets, it has four domes in the four corners.Other splendid specimens of Deccan architecture are the tombs of the Qutb Shahi Rulers of Golconda and the Charminar at Hyderabad.