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In 2025, the Bhagavad Gita and the Natyashastra have been inscribed into UNESCO’s Memory of the World (MoW) Register, recognizing their global cultural and intellectual significance.
This achievement reinforces India's position as a civilizational powerhouse in philosophy, arts, and knowledge systems.
Launched: 1992 by UNESCO.
Purpose:
To preserve and promote access to the world’s documentary heritage — including manuscripts, oral traditions, films, and archives — that possess outstanding universal value.
Aims to guard against collective amnesia by safeguarding critical elements of human history.
Biennial Update: New inscriptions are made every two years after rigorous evaluation.
Global List:
As of 2025, 570 documentary heritages are registered globally.
Other Notable Indian Entries:
Rigveda Manuscripts (2005)
Abhinavagupta’s works (Kashmir Shaivism texts) (2023)
NAM Summit Archives (New Delhi, 1983) (2023)
Text: 700-verse Sanskrit scripture forming part of the Mahabharata (specifically, the Bhishma Parva).
Attributed to: Sage Vyasa.
Nature: A philosophical dialogue between Prince Arjuna and Lord Krishna.
Dharma (Duty): Ethical obligation and righteousness.
Karma (Action): Selfless action without attachment to outcomes.
Bhakti (Devotion): Loving devotion towards the Divine.
Jnana (Knowledge): Pursuit of spiritual wisdom.
Synthesis of Schools:
Integrates Vedic, Sankhya, Yoga, Buddhist, Jain, and even Charvaka (materialist) philosophies.
Foundation of Karma Yoga:
Advocacy of action-oriented spirituality, influencing later Bhakti Movements and Modern Indian Thinkers (e.g., Swami Vivekananda, Mahatma Gandhi).
Translated into over 100 languages.
Revered by thinkers like Albert Einstein, Aldous Huxley, and Carl Jung for its universal themes of inner conflict and duty.
Text: An encyclopedic Sanskrit treatise with approximately 36,000 verses organized into 36 chapters.
Attributed to: Sage Bharata Muni (circa 2nd century BCE to 2nd century CE).
Nature: Manual on drama (Natya), dance, music, stagecraft, and aesthetics.
Rasa Theory:
Rasa (literally "essence" or "flavor") explores the emotional impact of performances.
Identifies nine Rasas (Navarasa): S?ngara (love), Hasya (humor), Karu?a (pathos), Raudra (anger), Vira (heroism), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder), and Santa (peace).
Abhinaya (Expression):
Detailed codes for physical gestures (Mudras), facial expressions, and vocal tones to convey emotions.
Bhava (Emotions):
Mechanisms by which performers evoke corresponding emotions in the audience.
Serves as the foundational text for:
Indian classical dance forms: Bharatanatyam, Kathak, Kathakali, Odissi, and others.
Indian theater traditions: Sanskrit drama, Folk theatre (like Yakshagana, Kutiyattam).
Early treatise incorporating interdisciplinary arts, influencing architecture (stage design), costume design, and audience behavior.
Recognized by global scholars of performance studies and comparative aesthetics.
Studied in various world universities alongside Greek dramaturgy.
Preservation: Guarantees global attention to preserve these ancient manuscripts against deterioration and loss.
Cultural Soft Power: Enhances India's cultural diplomacy and historical leadership in global civilizational contributions.
Educational Outreach: Makes these foundational texts more accessible to researchers, students, and art practitioners worldwide.
Boost to Indian Heritage Diplomacy: Strengthens India's narrative in global forums such as UNESCO, ICCROM, and World Heritage sites.
By: Rohit Garcha ProfileResourcesReport error
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